Chamber music magazine

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With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.

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Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

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If that wasn’t enough, Ithaca is also home to 73 Records, a youth-run label that releases music by kids and young adults — mainly still in high school. It’s a community that supports musicians (full stop).

With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Modern Mix Techniques course directly from our students.

To help you navigate the vast world of music-related website resources out there, we picked out eight of our favorite web tools that are made specifically for musicians, so you know you’re in good hands with each of them.

We look at Ligeti’s famous composition in order to decide how much, or how little, the use of music’s foundational parameters really matter in composing.

“If you want the piece to be a lament over someone’s death, then you will really tear into that… It doesn’t matter that it wasn’t really true then and it doesn’t matter if the code theory is dumb.”

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If it’s really, really bad, you might have to worry about some of the comped-together vocal notes being out of tune — in which case, don’t be afraid to break out your favorite pitch-correction software like AutoTune or Melodyne to touch up any shaky notes. Depending on the genre, you may want to run the vocal through pitch-correction software anyway, as it provides a nice presence and sheen commonly found in high-end, radio-ready productions.

Learn how to write music for strings and help your string arrangements shine with these tips for orchestrators. For more help, check out Soundfly’s course Orchestration for Strings.

As pop songs are usually given a pretty conservative time limit (2:45 on average and shrinking by the decade), there isn’t usually time for an outro. Intros are becoming increasingly rare as well. On top of that, the chorus (or more commonly referred to nowadays as “the hook”) has become the primary focus of most pop songwriters today.

In fact, any one item can be a costume: a funky, customized necklace, a big, bold hat, or even some sort of prop that helps you get into character on stage and channel a new identity. The one important thing to keep in mind is how everyone on stage interacts together visually; it’s essential to be unified somehow. If you have one person showing up in a suit, another dressed like a punk, and another wearing a neon bodysuit all you’ll be saying is that you don’t know what to say.

Tim Maryon is an Soundfly Mentor, an award-winning composer, and film scorer. He has an MA in film scoring from the Royal College of Music, and has written music for documentaries for the BBC, scored animations for BFI, and worked with major brands. His original works have been performed all over Europe. You can read more about him and hear his music here. Want to work with Tim on your project? Fill out this form to tell us about your musical goals and be sure to mention his name in your response!