With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
The piece follows this brief introduction with a tempo change from Sostenuto (66 BPM) to Misurato (106 bpm). The tempo will change again to Prestissimo later on in the piece, helping to create a sense of momentum with an increasingly faster beat.
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Me too. Those “magical things” that come from our being open to and joyful about our mistakes — those are the moments that make music like Tredici Bacci’s feel like such a gift. Both intricate and broad, both ridiculous and honest, both precise and full of human breadth and skew, La Fine Del Futuro is a triumph of Hanes’ philosophy about taking the art of laughing (at himself, and with others) to be the very serious business that it is.
Soundfly’s The Creative Power of Advanced Harmony takes you beyond cliché chord progressions and patterns, giving you an understanding of how to apply more complex harmonic concepts to your music while retaining a strong emotional core. Moving outside the boundaries of predictable chord progressions is what gives D’Angelo his swagger, Grizzly Bear their sophistication, and Erykah Badu her sense of ethereal other-worldliness.
Like everyone in the music biz, mixers and producers have a reverence for the giants whose shoulders they stand on. We love to learn from the greats and, in this book, journalist and engineer Howard Massey sits down with 37 of them to record their hard-won insights. From Sir George Martin to Phil Ramone to Alan Parsons, we’re treated to intimate insights into how these producers makes great records and what makes each of them tick. Many of the common lessons here we knew already — such as the importance of getting the best performance over fixing things during the mixing process — but there’s real value in the way that these sentiments and lessons are articulated differently by each interviewee.
I had already made an instrumental track last month, so I wanted to do something a little different this time around. With Kim’s vocals used as a garnish, I was starting to hear this as a vocally-driven track. I carved out sixteen bars that a rapper could flow over and sent it out to a few friends to see if they might be interested. But after a week of back and forth, the schedules weren’t lining up to get this track done in time. So, as is so often the case in making music, I had to adapt.
When I produce a track, chorus impact accentuators are always on my mind, especially at the final stage. And while I attempt to challenge myself by trying new methods every now and then, I do have some go-to accentuating techniques that I frequently rely on (and I’m not the only producer who does so). So here are some of the classics.
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Kakashi is another example of a great record that went into obscurity after its first pressing only to be dug out and rereleased by Better Days and Jet Set Records. Shimizu, a saxophonist and composer, worked with all kinds of musicians and collaborators, including Sakamoto and even artist Nam-June Paik. This record is deeply hypnotic and visits all kinds of soundscapes throughout, always with the saxophone placed at the center of attention.
If you’ve spent a bit of time learning about rhythm patterns and how to compose or arrange in different time signatures, at some point you have probably come across the term hemiola. Hemiola is a unique-sounding technique than can give any rhythm a syncopated, off-the-beat feel.
Looking to build confidence and muscle memory when playing the guitar? Look no further! These practice tips will help you gain dexterity and fluidity fast.
This was an offer I sent to someone who said they could bring 300 people. So if they weren’t exaggerating, they would get the full guarantee, but this way I also protected myself if they were misrepresenting themselves.
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